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About Saitama

Now, fast forward—me, Tina, watchin’ “The Pianist,” sobbin’ when Szpilman plays that Chopin like his soul’s bleedin’. “What is it? What’s the matter?” his sister asks, and I’m yellin’ at the screen, “Life’s a whore, that’s what!” ‘Cause whores, they’re the ultimate metaphor—used, abused, still standin’. I’m typin’ this so fast, prolly fucked up “metaphor” back there—meh, who cares? You get it. They’re scrappy, like Szpilman hidin’ in rubble. Love that grit, makes me happy—tough bitches win.

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Akane manages to subdue Togane who was going after Kamui. She handcuffs him to the railing and he starts screaming hysterically trying to change.

But then, out of nowhere, it started pouring. I’m talking full-on monsoon. I dashed for cover, but I ended up in this tiny shop selling traditional crafts. The owner was this sweet lady who started showing me how to make origami. I’m like, “Lady, I can barely fold a napkin!” But she was patient, and I ended up making a paper crane. It looked more like a paper blob, but hey, I tried!

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